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When it comes to describing Nadja Lind, a dispassionate third person box ticking exercise doesn’t really cut it. Sure, she has the credentials: a DJing career that kicked off on New Years Eve 2003 and has spawned a typically globetrotting calendar, a production career that has seen several works as either a solo artist or with Klartraum production partner Helmut Ebritsch, and the dizzying heights of being co-owner of the Lucidflow imprint with Helmut, a record label which has seriously started to rack up quality releases and remixes, seeing the likes of John Digweed and Hernan Cattaneo pluck from the catalogue, a seal of quality like no other. Tick, tick, tick … the facts are all there.
What this doesn’t get across is the sheer warmth of personality that Nadja brings to your world once invited in. As barmy as a bag of cats, you can guarantee that there is one person at the gig that will be jumping harder than all the rest, and that is the lady in charge of the buttons herself. It’s true; I’ve seen it on YouTube. Beaming smiles and effervescent personality, this shines through in her music: th...
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